2024 Issue #9
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“Pig House” by Kay Vaindal
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“For The Pollinators” by A.D. Sui
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“Drinking Dead Brazilians” by Lia Mulcahy
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“The Rubberist” by Molly Miles
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“The Passion of Pope Formosus” by LC von Hessen
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Everything We Assume is Wrong: an interview with R.L. Summerling, author of Fleshpots
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The Nature of Alex Garland’s Ex Machina and its Immoral Philosophy of AI by Ben Lockwood
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Everywhere the Sea is Rising: a review of Dehiscent by Ashley Deng
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Victim, Villain, Inspiration: The Pitfalls of Disability Archetypes in Genre Fiction by Julia LaFond
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Rip and Tear: Fragmented Identity and Temporality in Chainsaw Man by Max Kelly
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Uncanny Environments: a review of Mothtown by Caroline Hardaker
2024 Issue #10
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“Manywhere, Manyone, Manything” by NM Whitley
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“Unbirthday Means You Wish Yourself Unborn” by Avra Margariti
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“Brick City, Stick City, Straw City” by Nika Murphy
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“Her Eyes in the Dark” by Curtis Hayden Hill
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“Where Is Your Light, Yvette Jones?” by Victor Forna
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The Horror on the End of Every Fork by Neal Auch
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Beyond Dualistic Cyberpunk: a review of You Glow in the Dark by Liliana Colanzi from Zachary Gillan
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You End Up Becoming Yourself: A Review of Brandon Cronenberg’s Infinity Pool from Josh Pearce
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In Horror Stories, They Fuck Like Me (A Kink in Five Lessons) by Anonymous
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Reality Is How Horror Stories Are Born: an interview with Carson Winter, author of The Psychographist
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A Collapse of Boundaries: a review of I Would Haunt You if I Could by Seán Padraic Birnie from Zachary Gillan